Mooniyang/ Montréal. After finishing her fine arts bachelor graduation in Brussels in 2007, she immigrated to Quebec to work as an art director and designer in several graphic design agencies. Since taking the freelance plunge eleven years ago, she develops in the same time her artistic practice, devoting her time to photography, video and graphic experimentation in print art. Still marked by her studies in Belgium and the influence of the Bauhaus movement in Europe, she is interested in the principle of documentation and archiving, and collects images in series, by theme, texture, form or composition found in architecture, urbanism, housing, or any industrial objects created and thought out to improve and meet the needs of human life. Through the juxtaposition of material and environment, these series of images invite the public to oscillate between two spheres, recognizing humanity’s imperfect and unbalanced understanding of nature. Her artistic approach is increasingly concerned with social, political and environmental issues, and questions our reciprocal relationship with the living world and our relationship with the environment by playing with everyday objects and forms.